Hour 21: A Film and Interactive Media Blog

  Mixtape (2026) "Because the music goes somewhere, and you're going with it." "You know how to jet?" "To what?” -Mixtape (2026) What is the capacity of a moment, and how do you define it? A consistent reminder of time is that we never have enough of it. It always seems to slip away, never really granting us a sufficient duration of our human capacity for experiencing life to its necessary fullness. Though, when you really think about it, time is not the enemy here. The enemy, with all its nuance and variety, finds itself not in time, but in our misunderstanding of it. Time isn't meant to be sped through, Its rhythms and tones should be savored, as much as they possibly can be. Mixtape offers us something special in the realm of reverie and appreciation. Allowing you and I to come to terms with the necessity of presence in the flow of our everyday lives. While Mixtape does chronicle the supposed final hours of a high school friendship, Stacy, Va...

  Wicked (2024 and 2025) “What is going on? People are watching.” “Don't we all know there's no place like home?” “Because all that's required to live in a dream is endlessly closing your eyes.” -Wicked: For Good (2025) Wicked is at its core uniquely orchestrated to take advantage of all the dramatic nuances of the musical form. It is a story that calls into question perceptions and manipulations that evoke the most wily of propaganda tools. Though fret not, this backstage pass to the wonderful world of Oz, and the two witches that dominate its most iconic tale, is not seeking to deceive you, but to show you what it may look like beyond our preconceived notions. Therefore, Wicked seeks to find the realities that motivate trust and truth. When taken as a whole, it really is an impressively moving achievement of the musical narrative form that Wicked resolves as beautifully and coherently as it does. Wicked inventively and innately comprehends its melodic power in ...