Hour 21: A Film and Interactive Media Blog

  A Beautiful Mind: And The Autonomy of Connection “She never gets old… Marcy can't be real. She never gets old.” “Maybe Rosen is right? Maybe I have to think about going back to the hospital again?” “No…come here…maybe try again tomorrow.” -A Beautiful Mind (2001) John and Alicia Nash's biographical silver screen debut is a quintessential example of the innate eloquence of cinematic visual language to help us understand and empathize. A Beautiful Mind is a film about the contradictions and connections that are defined by a mental illness that is not eradicated but accepted as part of a lifelong journey of healing. A Beautiful Mind is therefore a film about love, and its power to create avenues of separational connection. In other words. It is an autonomy, on the part of John and Alicia Nash that paradoxically brings them together rather than tears them apart. Indeed, A Beautiful Mind is a sea of wayward contradictions as varied as the schizophrenic delusions of its ...

  Master and Commander: The Far Side of the World “My God, what can we do? He has us by the hip." “You forget yourself doctor." “"No Jack. No, you forgot yourself.” -Master and Commander: The Far Side of the World It never ceases to surprise, and perhaps that is the point, especially in this case. Even the simplest of stories has the capacity to hide a depth that outpaces the most rigorously detailed of explorations. Simplicity is indeed a marvel. So, the circle continues. The combining of simplicity and depth to create an eloquent dance that surpasses all expectations. In the case of Master and Commander: The Far Side of the World, the film is one of the finest cinematic examples of that particular narrative economy. Intermingled with a rich understanding of its historical setting, this film is a quintessential starting point for the concise power and nuance of the filmic image. In other words, Master and Commander is indeed a picture of multiple thousands of words....