White, Blue and Gold: An Analysis of the Religious Ideals in the Director's Cut of Kingdom of Heaven
Over the years religion has been a prime topic of conversation in cinema. One of the most common discourses deals with the differences between the Muslim and Christian faiths. These discussions, though prevalent mostly try to maintain a neutral viewpoint when it comes to the moral correctness of either religion. Though these attempts to remain unbiased are admirable I will offer a different solution granted by the themes and motifs present in Ridley Scott's Director's Cut of Kingdom of Heaven . At first glance the film seems to be the obvious choice for such an exploration. Though, as the analysis continues one discovers that film has far more to say about religion in cinema than just being a call for religious neutrality. In fact, it is one of Kingdom of Heaven's greatest strength that it remains steadfast on its positions, and does not ...