Jesus of Nazareth, 1977 miniseries
Jesus of Nazareth, 1977
“This is the king of Israel who will take away the sin of the world.”“A stable, I thought my brothers were mistaken. But now I see the justice of it, there could be no other place.”
“Before kingdoms change, men must change."
“This is your hour Judas, the hour of shadows."
“Now it begins, it all begins.”
-Jesus of Nazareth, 1977
Jesus came to earth to set all free. The lowest of the low were redeemed by the highest of the high. Amazingly this dichotomy was not reflected in his arrival on earth. God sent his only son to us as an equal in everything but sin. That is the most striking accomplishment of this miniseries, its desire to be authentically realistic. In other words, the series Is intensely human in its approach to structure and story, without losing sight of Jesus' divinity.
Jesus of Nazareth finds majesty and wonder in simplicity, seemingly with ease. It does it so well that It's difficult not to classify this miniseries as documentary in style. Perhaps that was the intent. Either way, Jesus of Nazareth is a tremendous achievement on many levels. Driving home the point, in such a naturalistic way, that we as the redeemed are not worthy of God's love. Yet, God came to save us nonetheless.
As you probably have surmised, naturalism is the prevailing sentiment here. As a miniseries, Jesus of Nazareth so expertly layers the human with the divine that you rarely know where one begins and the other ends. Illustrating both of Jesus's natures to their fullest extent. In other words this series beautifully expounds on a theological truth. Jesus is at once, fully human and fully divine, with neither aspect dominating the other.
"Get thee behind me Satan."
-Matthew 16:23, KJV
In the Bible, The Sermon on the Mount and the confrontation between Jesus and Peter are separated by more than seven chapters. Though series director Franco Zeffirelli places them side-by-side. To lead us smoothly into the final chapter of Jesus's redemptive work. The juxtaposition also offers us an insightfully engaging question. Was Jesus referring to his confrontation with Peter when he gave us the concluding lines of the Our Father? This sequence holds a bounty in its visual depth. Though, I think, I will leave those many treasures for you to unearth
I assure you, this is no magic trick. It is visual storytelling at its most economic and simple. Making Jesus of Nazareth the perfect opportunity to learn. The series is a masterfully crafted, yet naturalistically unassuming portrait of the Gospels. This mastery however, does not preclude anybody. It passionately beckons the uninitiated Into a deeper appreciation of film technique and style. In the most humble of ways, Jesus of Nazareth invites everybody to engage with the joy and art of visual storytelling
"Just leave me alone, why did you bring him here, to me?"
"No, no. I'd like to tell you a story."
-Jesus Nazareth, 1977
"Forgive me Master. I'm just a stupid man."
-Jesus of Nazareth, 1977
Happy Good Friday
Rated G
I found Jesus of Nazareth, 1977 to be deeply meaningful, richly insightful and visually striking. I hope in some way you do too.
Jesus of Nazareth 1977 is available to purchase on any digital video streaming service. It is also available physically on DVD and Blu-ray disc.
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